Much romantic nonsense has been written about the runaway slaves or Maroons of the West Indies. In 1970s Jamaica, during President Michael Manley’s socialist experiment, Maroons were hailed as forerunners of Black Power. Rastafari militants and back-to-Africa ideologues saw a nobility in Maroon descent. The Jamaican black nationalist Marcus Garvey had claimed Maroon ancestry for himself; as has, more recently, the British Jamaican hip-hop singer Ms Dynamite (whose debut album, A Little Deeper, remains a UK drum and bass masterwork).
In Jamaica, at any rate, Maroons fought exclusively for their own liberty, not for the overall liberty of the island’s enslaved Africans. As a condition of their freedom (and in return for land and other privileges), they were obliged to return other fugitive slaves to the imperial British and even help put down slave revolts. The Maroons of Jamaica thus inherited an ambivalent legacy: they are both heroes of, and traitors to, black freedom.
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