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Everything about Julieta feels totally Almodóvarian. It’s a family saga that smoothly blends tragedy and levity, with exquisite performances from a company of passionate actresses. It looks carefully ravishing. Many of the director’s abiding themes are here: terminal illness, sudden death, a mother’s love for her child, men hanging about the fringes. And yet it is based on a most un-Hispanic source.

The Julieta of the title was originally Juliet, who features in three interlinked short stories from Runaway, the 2004 collection by Alice Munro. Munro won the Nobel Prize for Literature three years ago after a lifetime writing quiet stories that conceal hammer blows. In the originals, the setting is Canada, whose snowy heartland and storm-tossed Pacific coast provide the location for the two deaths on which the plot hinges. In the film, Spain’s chilly winter plateau and the modestly heaving seas serve as less threatening substitutes for British Columbia.