No one joins the CIA for the money, which might explain the spate of thrillers now emerging from former officers. The latest addition, The Peacock and the Sparrow (No Exit Press, £7.99) by I. S. Berry, comes festooned with praise from other CIA officers turned authors.
Set in Bahrain during the Arab Spring, the novel is told in the first person by Shane Collins, a veteran CIA officer nearing the end of his tour there. Divorced, estranged from his son and engaged in a desultory affair with the wife of a colleague, Collins is weary. As his source Rashid declares: ‘This is your problem. You have no expectations… You are like this air. Empty.’ Rashid is one of the leaders of the increasingly restive dissidents in Bahrain, whose corrupt king lives distanced from his subjects. Collins is similarly dissatisfied with his own colleagues, who live in protected compounds and have little to do with ordinary Bahraini life.
Life changes for him when he meets and falls for the enigmatic Almaisa, a local artist who specialises in beautifully wrought mosaics.
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