Harry Mount

Rebel angels

The National Museum of Ireland’s new exhibition, Proclaiming a Republic, is packed with objects from the 1916 rebellion that tell both sides of the story sensitively and poignantly

issue 19 March 2016

This is the first exhibition I’ve been to where the Prime Minister joined the hacks at the press view. A week after the Irish general election, the Taoiseach, Enda Kenny, came to the biggest show in Ireland devoted to the centenary of the Easter Rising. Kenny’s presence at the press launch just goes to show how the Irish rebellion against British rule at Easter 1916 is still the defining story of modern Ireland.

In fact, the Easter Rising was a pretty good failure, although I didn’t suggest that to the Prime Minister at the press view. The rebellion lasted only six days before it was put down by the British army. Other attacks on British barracks in Meath, Galway and Wexford didn’t get very far either. Planned attacks in Cork, Tyrone and Donegal never happened. And Irish independence didn’t come until 1922, after the War of Independence.

But, still, the Easter Rising is treated with a holy reverence — partly because it happened in Easter Week in a devout country; more because of the brutal treatment of the rebels.

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