The title of Victor Pelevin’s 2011 novel stands for ‘Special Newsreel/Universal Feature Film’. This product is made by the narrator, who pilots his hi-tech camera without leaving his room, propped up against cushions. The corpulent Damilola Karpov lives in Byzantion, or Big Byz, an ‘offglobe’ hovering over what’s left of the old world after the collapse of its superpowers and other apocalyptic events. Down below is a country called Urkaine (the apparent misspelling is a pun on a slang Russian word for ‘criminal’), populated by drunks and ruled by gangsters, its symbol a golden ‘spastika’, its economic goal ‘to catch up with and overtake Big Byz in terms of major stock indices’. Every now and again, Big Byz provokes a war in Urkaine, using professionals like Damilola, who cross warfare with video techniques to make news clips — aka snuff films — of events they orchestrate themselves.
Urkaine reacts to Big Byz and its interventions with a ‘meticulously balanced blend of servile submission and rabid hatred’.
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