Reading between the lines | 26 January 2017

Writing to her sister Cassandra about Pride and Prejudice in January 1813, Jane Austen declared, in a parody of Walter Scott: ‘I do not write for such dull Elves/As have not a great deal of Ingenuity themselves.’ That identification of the good Austen reader as one continually on the qui vive, ready to piece out the novels’ nudges, winks and silences, also underpins Helena Kelly’s ambitiously revisionist new study of Austen — a study that is by turns illuminating, provocative and infuriating. ‘We’re missing something,’ she argues with reference to Northanger Abbey. That sentence, both in its content and in the position it adopts with relation to its readers, could stand as a motto for the whole of the book, both its strengths and its weaknesses. Kelly offers a salutary argument for reading Austen’s novels with the serious attentiveness they invite and deserve, but frequently overstates the condition of collective intellectual somnolence from which she’s trying to rescue us.