Lloyd Evans Lloyd Evans

Racists will love it: National Theatre’s Death of England – Delroy reviewed

Plus: James Baldwin and William F. Buckley's riveting 1965 Cambridge Union debate reconstructed

The charismatic Michael Balogun in the Olivier Theatre's politically illiterate and artistically harmful new play, Death of England: Delroy. Image: Normski Photography 
issue 14 November 2020

Death of England: Delroy is a companion piece to Death of England, which ran in February at the NT and examined the white working classes. Here the focus is on a successful black Briton, Delroy, who votes Tory and feels at home in multicultural society. The charismatic Michael Balogun plays him as a complex, shrewd and humane figure. He likes to mock white people who judge others according to superficialities like accent and pronunciation. And he recalls his horrified excitement when a white girl at school calmly placed her finger inside his boxer shorts. Delroy has plenty of white pals including his girlfriend, Carly, who is expecting their child. The only antisocial voice in his life belongs to his mother, a Jamaican bigot, who objects to Carly’s ethnicity. ‘She can’t cook jerk chicken,’ she crows. But Delroy finds her insult amusing. ‘She slammed that down like a winning domino and kissed her teeth so loudly I thought the glass she was holding would break.’

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