Venice must be the most painted city in the world. Keith Holmes is among the latest in the long line of artists who have made their way there since Canaletto defined our image of it. Canaletto’s Venice was the Grand Canal, San Marco and the rest of the famous sights. In the 19th century, Turner, Whistler and Monet extended the canon to the Lagoon, with its incredible sunsets, sunrises and infinite variety of mists and atmospheric effects. Since then this repertoire has been exhaustively worked over.
It is remarkable, therefore, that Holmes has found a fresh and personal approach to Venice, the nature of which is explicit in the title of this exhibition, which opens on Wednesday. Exploring the city, he became fascinated by the unregarded detail of the very fabric of the built environment. But just because this detail is unregarded does not mean it has no significance or meaning.
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