Quentin Letts

Quentin Letts: Why hymns are the true voice of England

For Italians it's romantic arias. For Germans, lieder. Give me Isaac Watts, John Bunyan and Edward Elgar

Photo by George Pickow/Three Lions/Getty Images 
issue 14 December 2013

When all seems too gloomy to endure, I take myself up to the British Camp in the Malverns, there among the windblown tufts and Iron Age ditches. With the rain lashing and my trousers flap-flapping like two Spithead flags, I lean on the gale and claim my birthright: to hum hymns of England and think of our forefathers.

The Camp, by legend the fort of gallant Caractacus, is this kingdom’s greatest hill. At 1,110 feet it is not the tallest. It is not the broadest, sharpest, steepest or most remote. But from that ridged summit (a wedding cake, say some, though from boyhood I’ve thought of it as an enormous nipple) you can see far into the three-choir counties: Gloucester, Worcester and Hereford. Hymnshire.

At Christmas we go all gooey over carols. An annual blast of ‘Hark the Herald’ is enjoyed even by Scroogey secularists. But church music in other seasons is just as good.

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