James Delingpole James Delingpole

Pure, undiluted genius: Succession reviewed

How could TV about boardroom skullduggery possible be quite this involving and exciting?

issue 12 October 2019

I have never ever watched a TV series I have enjoyed more than Succession (Now TV). There’s stuff I’d put in the same league, maybe — Fauda, Babylon Berlin, Band of Brothers, Utopia, Gomorrah, Breaking Bad, The Sopranos, and so on — but absolutely nothing beats it. It is, quite simply, a work of pure, undiluted genius.

Which wasn’t what I expected when my friend Toby recommended it to me a few weeks ago. ‘It’s about this media dynasty, a bit like the Murdochs. And the kids spend their whole time scheming and competing as to which one is eventually going to take over the company from the bullying patriarch Logan Roy,’ he said. This all sounded a bit grown-up, earnest and worthy to me.

But Succession is none of those things, as perhaps I should have guessed from the fact it was created by Jesse Armstrong, co-author of perhaps the most enduring and wickedly funny of all the Noughties sitcoms, Peep Show.

Get Britain's best politics newsletters

Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.

Already a subscriber? Log in

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in