Hot, languorous, sizzling… I was thinking what an ideal show Matthew Bourne’s noir comedy is to watch on a summer’s evening in T-shirt and shorts as you sip a cold beer in a plastic cup and feel all toasty while the garage mechanics are bumping and grinding away at Dino’s Diner. Then the rain started chucking it down outside, the temperature fell, and I found myself ruminating on how a dance show feels different if you’ve just been watching it, rather than feeling it in your skin and body.
The great thing about Bourne’s choreographic style is that it feels like something you might have done yourself during some summer in your life. It is not the kind of dance that is way beyond your pay grade, like some of the dancing by the ballet superstars in the Ardani gala at the weekend.
But while The Car Man is a show to quaff with enjoyment at the time, it doesn’t have a very long finish in the mind.
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