‘If I needed a guide to go up a mountain, I’d choose someone who knew the way,’ says Nigel Kennedy. ‘So if someone is telling me what to do, they’d better know a little bit more than me.’
In September, Kennedy’s Jimi Hendrix tribute at the Royal Albert Hall was cancelled after organisers Classic FM deemed it ‘unsuitable for our audience’. It still rankles: ‘I reckon I know more about my particular art form than some guy sitting behind his desk,’ says Kennedy, ‘and so I can’t quite take it when people start saying what is classical music and what isn’t. To me, Hendrix’s “Little Wing” is a kind of Celtic-sounding melody. I do it in a Vaughan Williams-esque type of way so it’s very classical. In fact, my rendition of The Four Seasons would have been much more raunchy and less classical than the Jimi Hendrix stuff.’
It’s been more than 30 years since Kennedy’s controversial recording of The Four Seasons (the bestselling classical album of all time).
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in