Craig Raine is a pugnacious figure in the fractious world of contemporary poetry. When his poem ‘Gatwick’ appeared in the LRB (2015), social media had one of its habitual spasms. Here was a piece which indulged the male gaze and celebrated lustful yearning — an older man for a younger woman. Hardly new ground one might have thought; but to be fair it’s actually rather more subtle than that, and Faber’s former poetry editor responded to the howls of protest by saying: ‘Of course the stupid are always with us.’
In fact Raine rather likes a scrap and My Grandmother’s Glass Eye, in which poets and critics are mauled routinely for their inability to read poems correctly, reminds us that the poet’s father was a boxer. Welcome to the father’s son; he might not float like a butterfly but he can sting like a bee.
The innocuous subtitle — ‘A Look at Poetry’ — belies the purpose of the book.

Get Britain's best politics newsletters
Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.
Already a subscriber? Log in
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in