Potato prints, paintings and the Soviet Union: the real Miss Jean Brodie

During the second world war, when not only food, but paper and artists’ materials were scarce, Peggy Angus made a virtue of necessity. Potatoes were one of the few foods not rationed, so she began cutting them in half, carving designs into the cut side and printing them onto old newspapers in repeated patterns of oak leaves, smiling suns, waves, chevrons and Welsh dragons. It was with these playful, naïve designs — which she later turned into tiles and wallpapers — that she made her name.

Angus, like Eric Ravilious and Edward Bawden, her contemporaries at the Royal College of Art, moved easily between media: potato prints, silkscreens, oil paintings, watercolours, and ‘stained glass’ made from coloured tissue paper. She illustrated children’s books and contributed designs for the Festival of Britain.

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She was head of art for many years at North London Collegiate School and her salary allowed her to rent a shepherd’s cottage in Sussex which she papered from beams to skirting with her own designs.