Postmodernism: Style and Subversion 1970–1990

Postmodernism is a term with a surprisingly long history. It was first used in the 1870s and was subsequently employed by dazed or disaffected commentators with some regularity throughout the first two thirds of the 20th century, until it became de rigueur in the ghastly decade of the 1970s. The architect Charles Jencks pronounced the death of Modernism at 3.32 p.m. on 15 March 1972, and Post-Modernism (hereinafter known as PoMo) was fairly, or unfairly, upon us. But what actually is it?

Essentially, it meant the end of all seriousness and the shunning of order, moderation and reason, the denial of a belief in the perfectibility of the human race and the merit in striving for something better. Encouraging the coexistence of all styles, PoMo offered a celebration of confusion, a glorification of pastiche and parody (very minor and parasitic art forms), and a wholesale and uncritical ‘anything-goes’ attitude that was dangerously asphyxiating to rational thought or more modest individual creativity.