Richard Bratby

Portrait of the Royal Liverpool Philharmonic – Britain’s oldest and ballsiest orchestra

Richard Bratby describes how the RLPO, which has just announced a new chief conductor, has taken on everyone from gang leaders to Derek Hatton in its fight to survive

Dream catcher: Philharmonic Hall, home to the RLPO, whose new chief conductor, Domingo Hindoyan, will follow in the footsteps of Max Bruch, Simon Rattle and Zubin Mehta. Credit: Mark Mcnulty 
issue 11 July 2020

Liverpool’s last ocean liner lies half a mile inland, on the crest of a hill. The Philharmonic Hall, home of the Royal Liverpool Philharmonic Orchestra, sits between two cathedrals on Hope Street, its towers jutting over the city like twin prows. It’s an unavoidable metaphor: when you enter the Hall on a concert night, the first thing you see is a bronze memorial to the musicians of the Titanic. Everything about the Hall — the grand staircase; the long curving corridors; the art deco auditorium that looks like something from Alexander Korda’s Things to Come — suggests that you’re about to steam off on some fantastic voyage. I’ve heard concerts all over the world, but when I dream about music, it’s always at the Liverpool Phil.

So the news that the RLPO has appointed a new chief conductor feels personal. How could it not? The RLPO was the first orchestra I ever heard — at that point, in the 1980s, reinventing itself under the dapper Czech Libor Pesek.

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