Laura Gascoigne

Porcelain-painting during the French revolution

The highlight of Waddesdon Manor’s bird-inspired summer exhibition are a Sèvres dessert service made by an eyewitness to the Terrors

Snuff-box with Sèvres porcelain plaques from 1758, painted by Louis-Denis Armand. © Waddesdon Image Library, Mike Fear  
issue 17 August 2024

People don’t accumulate stuff any more. When the late Victorian houses on our street change hands their interiors are stripped of all decorative features and the walls painted white, unrelieved by pictures: if their Victorian owners returned as ghosts, they would go snow-blind. The Victorians’ passion for accumulating stuff was close to an addiction, and no one accumulated it like the Rothschilds. But the Rothschilds didn’t stop at objects; they also collected exotic animals, especially birds. All the Rothschild chateaux and mansions boasted aviaries – and Baron Ferdinand de Rothschild’s Waddesdon Manor was no exception. Six years after its completion in 1883, a rococo aviary manufactured in France was installed in the garden: a family photograph shows Ferdinand feeding a scarlet ibis, a boater on his head and a bird whistle between his lips.

Painting exotic birds on porcelain wine coolers during a revolution might send anyone a little mad

It was a fashion started by European sovereigns; collecting exotic birds is not a cheap hobby.

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