Marcus Berkmann

Pop: You’d love Love and Money, too – if only you’d heard of them

Photo by Michel Linssen/Redferns 
issue 14 September 2013

How and when do you become ‘a fan’, exactly? You can usually spot pop stars who are losing touch with reality when they start talking about ‘the fans’ as some kind of independent entity, rather than just a load of people who like their songs. For the music obsessive, though, there’s a simple definition. You’re a fan if you buy someone’s new record without even thinking of listening to it first. Fandom accepts no caution. It only ever hopes for the best. It can take the disappointment of underachievement; it might even half-expect it. Fans have a right to criticise the objects of their affection; in fact, no one has more of a right. It’s a matter of ownership, of pride and, at its extreme, of mild derangement.

Sometimes, though, fandom creeps up on you unseen. As I write, I am waiting for my overburdened Estonian postman to deliver a newish album by the Scots group Love and Money, of whom almost no one has heard, I’m sad to say.

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