Forget the pollsters and political pundits — English National Opera called it first and called it Right when it programmed Gilbert and Sullivan’s The Pirates of Penzance to open just days after the general election. Who else is the target audience for an operetta that guilelessly proclaims, ‘We love our House of Peers’, and celebrates both the dynastic possibilities of marriage and the material aspirations of a Major-General who bought his ancestors along with his faux-baronial castle, if not Tories (shy or otherwise)? But if ENO has hit a political home run, the same can’t be said artistically of a production Gilbert himself might have described as ‘skim milk masquerading as cream’.
Mike Leigh swore he would never direct an opera. So it was only a matter of time before the British auteur followed the long line of film-directors-turned-opera-novices to ENO to try his hand. If the results aren’t exactly Mike Figgis terrible, they’re no Anthony Minghella either.
A knowledgeable and devoted G&S fan of long standing — president of both the Gilbert Society and the Sullivan Society — Leigh brings all the affection of his 1999 G&S film Topsy-Turvy to his Pirates.
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