Pleasure without angst

David Hockney is a conjuror who likes to explain his tricks, or, as one commentator put it, conducts ‘his education in public with a charming and endearing innocence’. This chunky picture-book brings the story right up to date with watercolours and portrait drawings made only a few months ago. It contains work from throughout Hockney’s career, but is arranged thematically rather than chronologically, according to the themes and subjects that have occupied him for almost five decades. Of the four sections, Problems of Depiction, Life Stilled, Portaits, and Space and Light, the first is the most complex, with sub-divisions into Looking at Pictures; A Marriage of Styles (demonstrating his deliberate and diverse stylistic borrowings); Stages (dealing with his work for the theatre and the ‘interior landscapes’ that grew out of it); Water, Movement, and Moving Viewpoint (including his experiments with photography and in the use of printing technology as a medium in itself).