Alan Judd

Playing with Henry James

issue 07 December 2002

The theme of Henry James’s The Aspern Papers is well known: an unscrupulous biographer seeks the unpublished papers of his subject, a long-dead poet, through the cultivation of the poet’s former mistress, a forgotten old lady living with her spinster niece in Venice. He insinuates himself into the household, leading the niece to hope for marriage, until his real intentions are revealed.

It is also well known that James’s story was inspired by his discovery that, living in reduced circumstances in Florence with her niece during the 1870s, was Claire Clairmont, one-time mistress of Byron (whose child she bore) and perhaps also of Shelley. A predatory biographical collector, a Massachusetts sea-captain, insinuated himself into the household, much as James’s protagonist did. James himself, meanwhile, was conducting – if that’s not too strong a word – a friendship with the American novelist, Constance Fenimore Woolson, whose strong feelings for James were only politely reciprocated.

Now, Emma Tennant has written an ingenious novel conflating the writing of James’s fiction, its historical original and the sad tale of Fenimore, as James called her.

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