Emily Rhodes

Picture study: Second Self, by Chloë Ashby, reviewed

Restoring the painting ‘View of Scheveningen Sands’, an art conservationist uncovers a vital detail, leading her to regret the pact she once made with her husband

‘View of Scheveningen Sands’, c. 1641, by the Dutch painter Hendrick van Anthonissen. [Universal History Archive/UIG via Getty Images]
  • Comments

  • Second Self

    Chloë Ashby

    Trapeze, pp. 370, £16

Already a subscriber? Log in

This article is for subscribers only

Get a free bottle of Johnnie Walker Black Label when you subscribe to The Spectator for just £12 in our Black Friday sale

  • Free bottle of Johnnie Walker Black Label whisky, worth £30
  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

Read next

Trending

Sean Thomas

How debauchery turns to tragedy in towns like Vang Vieng

I still remember the first time I saw Vang Vieng, in Laos. It was many years ago, before the Chinese began pouring money in (such is the scale of Chinese investment, Laos now has high-speed rail). I was driving one of the very few rentable 4x4s in the country, picked up in the sleepy capital

More on childlessness

Also by Emily Rhodes

Latest

Comments

Black Friday sale: Get 10 weeks for just $1

Unlimited access to the The Spectator, online and via the app

Already a subscriber? Log in