Michael Hann

Perfectly imperfect: Evan Dando, at Islington Assembly Hall, reviewed

Plus: rock's great survivors, the Cult, at the Royal Albert Hall

Still looks better than he has any right to, and sounded better than I had dared hope: Evan Dando at Islington Assembly Hall. Photo: Anete LapsaAnete Lapsa  
issue 16 November 2024

‘Can I have a photo with you, please?’ It’s the most embarrassing question you can ask of someone you’re interviewing. But I had to. Not only because Evan Dando is one of my favourite songwriters. But also – vainly – because years of on-off drug addiction (mostly on) mean Dando is no longer quite the beautiful young man he was when he became famous in the early 1990s. Back then, I’d have looked like a troll standing next to him. Now, not so much.

It was a night of beautiful imperfection – the kind that feels truer than a thousand arena shows

He still, however, looks better than he has any right to, and in the evening he proved that he sounded better than I had dared to hope. Better still, he was fully present – not just physically, but mentally and emotionally. Back when the Lemonheads were the hunks of alternative rock, Dando’s progressively deepening problems resulted in him playing some of the worst shows I’ve ever seen – desultory to the point of insulting.

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