Daisy Dunn

Perfect radio for a nation of grumblers: Radio 4’s Room 101 with Paul Merton reviewed

Plus: a fascinating, atmospheric radio essay on the murder of 18th century art historian Johann Joachim Winckelmann

The aubergine: headed for Room 101. Credit: Seqoya  
issue 10 June 2023

Welcome back to Room 101, which has returned to the radio – after nearly 30 years on TV – and reverted back to its one-to-one format with presenter Paul Merton. The programme sits comfortably within that peculiarly British corner of the landscape that champions The Archers, the Proms, Rich Tea biscuits and knitted dog coats. And its success makes sense. A nation of good-humoured grumblers is arguably more likely to be excited by a list of common grievances than by, say, an overly jubilant selection of Desert Island Discs. Why listen to someone talk about what makes them happy when you can witness a guy losing it over the incomprehensibility of parking signs?

Merton indulges this demographic by channelling the spirit of I’m Sorry I Haven’t A Clue. Early on in the first episode he attempts to ‘play’ an aubergine as a musical instrument before joking that baba ganoush, the aubergine-based dip, was a hit for the singer Kate Bush.

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