Simon Hoggart

Perfect pitch

Our attitude to the past of our own youth is like our feelings towards an old grandfather: we love him, admire him for what he’s done, but, goodness, we don’t half patronise him.

issue 30 January 2010

Our attitude to the past of our own youth is like our feelings towards an old grandfather: we love him, admire him for what he’s done, but, goodness, we don’t half patronise him.

Our attitude to the past of our own youth is like our feelings towards an old grandfather: we love him, admire him for what he’s done, but, goodness, we don’t half patronise him. ‘Gosh, grandad, you mean if you weren’t at home, nobody could phone you? How did you find anything out without Google?’ Television does this mixture of affection and condescension very well. Rock and Chips (BBC1, Sunday) was John Sullivan’s prequel to his astoundingly successful sitcom Only Fools and Horses. It was set in 1960 and told the back story. But this was scarcely a comedy at all. Apart from the names of the characters, it had only the faintest link with Only Fools. There was no laugh track; we were in a bleak, sub-fusc East London world of poverty, crime, stunted ambition and rather good rock music.

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