Jasper Rees

Perfect fourth

The DNA of all cinema is here – romance, adventure, terror, joy, beauty, light and sound

issue 22 June 2019

Nearly 25 years on from its immaculate birth, Toy Story — like Wagner’s Ring, like John Updike’s Rabbit novels — has become a tetralogy.

Do we need another one? Isn’t it time for Woody the toy cowboy to stuff that hat on a peg and stop hanging around kids? The short answer is no.  Though it springs fewer surprises, Toy Story 4 is still reliably fab. The animation now has such a painterly exactness it may as well be real rain/stubble/tarmac up there on screen. As for the cartoon characters, they project their own truth too, even the newest toy fashioned from a plastic fork-cum-spoon. ‘I can’t believe I’m talking to a spork,’ says Woody, nicely subverting Toy Story’s central idea that the imagination can take us all to infinity and beyond.

Amazingly there are still new stories to mine in the relationship between a child and its menagerie of playthings.

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