Deborah Ross

Peak beard

The scenery is ravishing and the two leads, Saoirse Ronan and Margot Robbie, are better than the film deserves but they can’t rescue the script

issue 19 January 2019

Mary Queen of Scots is a historical costume drama that, unlike The Favourite, does not breathe new life into the genre, or any kind of life, even of the old accustomed sort. It is lifeless, in other words, and quite the slog, with jerky pacing, such an abundance of bearded men you lose track of which bearded man is which, and it reduces two of history’s most fascinating women to not much of anything. However, on the plus side, the scenery is ravishing, the two leads (Saoirse Ronan as Mary and Margot Robbie as Elizabeth I) are better than the film probably deserves, and the hair and make-up are cheeringly insane. By the end, Elizabeth most put me in mind of Ronald McDonald.

Directed by Josie Rourke, artistic director of the Donmar Warehouse theatre in London, with a script by Beau Willimon (House of Cards), this is about the relationship between the two Queens, and their beef, as it were.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in