Tim Bouverie

Passionate pioneers

If only Charlotte Gordon's Romantic Outlaws would let Mary Wollstonecraft and Mary Shelley speak for themselves

Mary Shelley by Richard Rothwell. Getty Images 
issue 25 April 2015

If Mary Wollstonecraft, as she once declared, ‘was not born to tred in the beaten track’, the same with even greater reason could be said of her daughter Mary Shelley. Not only was she the child of the author of A Vindication of the Rights of Woman, she was also the daughter of William Godwin, the radical political philosopher. Given this auspicious pedigree, it is perhaps not surprising that Shelley would lead a life every bit as daring as her mother, and in Frankenstein produce a masterpiece of equal fame.

A joint biography of this most famous mother/daughter combination is, therefore, a good idea. Despite the fact that Wollstonecraft died a few days after giving birth to Mary, the pair led similarly rebellious lives and, through the former’s works, maintained a connection that reached beyond the grave. As Charlotte Gordon highlights in her introduction, Shelley continually re-read her mother’s books and as her husband Percy put it, Wollstonecraft’s fame would always shine on Mary, ‘through the tempests dark and wild’.

During her lifetime, and for nearly a century afterwards, however, Wollstonecraft was more infamous than famous.

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