Anne Applebaum

Paranoia and empty promises

It has taken more than half a century, but at last the Anglophone world has woken up to the fact that 20th-century communist history makes a superb backdrop for fiction.

issue 15 May 2010

It has taken more than half a century, but at last the Anglophone world has woken up to the fact that 20th-century communist history makes a superb backdrop for fiction. So extreme and dramatic were the Russian revolution, the arrests and the purges, Hitler’s invasion of the Soviet Union and the imposition of Stalinism on the eastern half of Europe that all you have to do is write down what really happened and it sounds like fiction anyway. English historians such as Catherine Merridale (Night of Stone) and Simon Sebag-Montefiore (The Court of the Red Tsar) have known this for a while now. Now English novelists, from Martin Amis to Sebag-Montefiore himself, are finally catching up.

The Betrayal is Helen Dunmore’s most recent contribution to this general awakening. It is the sequel to The Siege, Dunmore’s widely admired account of one family’s experience of the siege of Leningrad, and it follows the same characters into the post-war era.

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