Robert Gorelangton

Packing a punch

Robert Gore-Langton on why a Sixties satire on the first world war still has enduring power

issue 20 October 2007

It’s a good month for the Great War. At the National Theatre this week a new play by Michael Morpurgo tells the story of the war seen through the eyes of a horse. Staged with huge puppet nags, War Horse sounds on paper like the theatrical lovechild of Equus and Birdsong. Up in Bolton, with a good deal less hype, they are doing another war horse — Oh! What a Lovely War. It was first staged in 1963 by the radical Theatre Workshop, in the East End. The Great War satire was aimed at the political edification of the working class, but sadly for the Revolution it quickly attracted posh nobs from Kensington, transferred to the West End and became a huge commercial hit and finally an all-star extravaganza film in 1969.

The show remains a legend. Its heroes were the blind, gassed victims of the first world war, their hands on each other’s shoulders, dressed as pierrots parading round the stage to the melancholy of the tunes of the trenches.

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