‘My spirit moves me to speak of forms changed into new bodies,’ proclaimed Ovid at the beginning of the Metamorphoses: a glorious compendium of classical mythology stretching from the creation of the universe to the Emperor Augustus.
Metamorphica is a collection of 53 versions of classical myths as told by Ovid, Homer and the Greek tragedians (Mason’s first novel was The Lost Books of the Odyssey). They are inspired less by Ovid’s content than by his technique of ‘moving lightly through the ancient sources, taking up what he liked and reinventing it’. Metamorphica takes the bare premise of an ancient myth as the starting point from which to create a modern one with a wholly different focus.
Midas, for example, no longer turns everything he touches to gold. Instead, he melts down the contents of his treasury and invents money.

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