Michael Tanner

Overrated Strauss vs underrated Gluck

Why are there so many productions of Richard Strauss's gargantuan operas, and so few of Gluck's works of genius?

Elektra at the Royal Opera House (Photo: Clive Barda/Arena Pal) 
issue 11 January 2014

This is the first of my more-or-less monthly columns, the idea of which is to report on operatic events other than those that take place at the two major London venues, with occasional trips to those areas (i.e., everywhere other than London) where the annual government grant for the arts is £4.80 per head, while in London it is £69.00. This fact was widely reported a few weeks ago, but while I thought for an hour or two that it might lead to a revolution, there was no widespread articulate reaction to it of any kind, nor, so far as I know, any indication that this gross inequity would be addressed. So if conspicuous consumption is what you’re after, you’ll know where you have to be.

That’s not my main topic for this particular column, however. What I want to do is say something about the two operatic composers who have major anniversaries this year, one of whom I feel is grotesquely overestimated, the other, conveniently, shockingly underestimated.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in