Kate Chisholm

Overdoing the drama

issue 10 March 2012

What took them so long? For weeks and weeks he’d been limping into the farmhouse whining about how cold he is, how tired, how he’s had enough of Tom gadding about Borsetshire selling his gruesome-sounding pork meatballs while he’s stuck on the farm trimming leeks and getting up at the crack of dawn to do the milking. The clues were so obvious even Sergeant Lewis would have guessed that something bad must be waiting in the cowshed for Tony Archer.

Perhaps it was intentional, the scriptwriters of The Archers (Radio 4) calling our bluff to prove that they’re in charge, and carefully manipulating our fears and premonitions to ensure that we keep on tuning in day-by-day. You might think you’ve second-guessed what’s in the script for Tony. But we know best. His fate is actually under our control. You’re just our puppet listeners. So we stopped worrying about Tony. The story moved on.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in