Some war veterans slip back into civilian life with reasonable ease, stiff of limb, stiff of upper lip. If at first it’s a case of concealment and self-restraint, there’s at least some chance that play-acting can infiltrate reality. The protagonist of Toni Morrison’s new novel, Home, is called Frank Money. He has just returned to his native town in Georgia from fighting in the Korean War, and discovered that he has no true home. He’s always known he has no money. He tries to overcome the wartime memories he’s carried with him from Korea, but when does a coping mechanism become just a lie? And a lie yet another thing to cope with?
Morrison’s book becomes, in part, a document for Frank Money’s thoughts and confessions. Her third person is interjected with his first person, stream of consciousness, diary-type entries.
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