Andrew Lambirth

Outsider artist

issue 05 May 2012

In the various mixed exhibitions I’ve seen over the years that dealt with 18th- and 19th-century British art, Johan Zoffany (1733–1810) has always seemed to stand out. Yet there hasn’t been a museum show devoted to his work in this country since the National Portrait Gallery’s survey of 1977, so Martin Postle must be congratulated on organising the current exhibition (supported by Cox & Kings), already seen at the Yale Center for British Art in Connecticut, especially since plans to hold it at the Tate were scuppered. I wonder why? The show has proved successful: it was very busy the day I went, though I did wonder what proportion of visitors had turned up to see the Hockney show, baulked at the queues and gone upstairs to see Zoffany instead…

The exhibition is a revelation of a major talent, and shows Zoffany to be an artist of much vigour and subtlety.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in