Calvin Po

Our great art institutions have reduced British history to a scrapheap of shame

New displays at Tate Britain and the National Portrait Gallery are pious distortions of history

Guilt frames: ‘Portrait of Mai (Omai)’, by Sir Joshua Reynolds, c.1776. Courtesy of National Portrait Gallery, London and Getty
  • Comments

Already a subscriber? Log in

This article is for subscribers only

Get a free bottle of Johnnie Walker Black Label when you subscribe to The Spectator for just £12 in our Black Friday sale

  • Free bottle of Johnnie Walker Black Label whisky, worth £30
  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

Read next

Trending

Steerpike

Why is the BBC staying silent on Reeves’s CV claims?

Rachel Reeves remains in the spotlight after weeks of scrutiny over her rather curious CV claims. Mr S documented the full timeline of events on Tuesday and it is really quite something – with the Chancellor’s former role at Halifax Bank of Scotland first coming under scrutiny before attention was drawn to previous assertions she’d

More on art

Also by Calvin Po

Latest

Comments

Black Friday sale: Get 10 weeks for just $1

Unlimited access to the The Spectator, online and via the app

Already a subscriber? Log in