David Hockney As Told To Martin Gayford

On Van Gogh and Rembrandt

On the eve of several major Van Gogh celebrations in London and Amsterdam, David Hockney explains what makes the Dutch artist's drawings such a joy

issue 23 February 2019

Being in the south of France obviously gave Vincent an enormous joy, which visibly comes out in the paintings. That’s what people feel when they look at them. They are so incredibly direct. I remember in some of his letters Vincent saying that he was aware he saw more clearly than other people. It was an intense vision… [H]e must have been doing some very concentrated looking. My God! After working for a long time, I get very tired eyes. I just have to close them…

Photographs of those fields around Arles that Van Gogh painted wouldn’t interest us much. It’s a rather boring, flat landscape. Vincent makes us see a great deal more than the camera could. With a lot of his work, most people who actually saw the subject would think it was incredibly uninteresting. If you’d locked Van Gogh in the dullest motel room in America for a week, with some paints and canvases, he’d have come out with astonishing paintings and drawings of a rundown bathroom or a frayed carton.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in