Richard Shone

Oh brother!

issue 17 December 2011

Long in the writing, deep in research, heavy to hold, this is the latest of umpteen biographies of Vincent van Gogh (1853-90). But it should be said straightaway that it is extremely readable, contains new material and is freshly, even startlingly re-interpretative of a life whose bare bones are very familiar. The more one reads, the more absorbing it becomes, both in its breadth of approach and its colossal detail.

Potential readers, however, should be warned: this is no sentimentalising study, no apologia for the excesses of the ‘mad genius’ of popular renown. Quite the contrary: one’s dismay intensifies as the self-crucifixion of Van Gogh’s life unfolds, disaster after disaster on page after page.

In the 1870s and early 1880s his art dealing, teaching, evangelical preaching, attendance at art schools all ended in frustration and failure.

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