Howard Jacobson

Offence-taking has ruined comedy

(Photo: iStock)

I’m watching television more uncritically than usual but still can’t stomach the format of Live at the Apollo. It features some clever comedians, but its artificiality, cutting to the audience to show canned hilarity — or worse, canned celebrity hilarity; or worse still, genuine hilarity — is a turn-off. 

It’s not the comedians’ fault that producers choose to show people helpless with laughter at a not very amusing joke, but the practice alienates you from their material. If that shower thinks they’re funny then they can’t be. 

We laugh too easily today. Laughter used to be like virtue. It wasn’t something we were willing to give away on a first date. Now we’re anybody’s. And yet, simultaneous with this great homogenising of laughter, comes the latest wave of offence-taking, washing away the transgressive constituent from comedy which as often as not is the best part of it. 

In the end, maybe the two phenomena are closely related.

Get Britain's best politics newsletters

Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.

Already a subscriber? Log in

Comments

Join the debate for just £1 a month

Be part of the conversation with other Spectator readers by getting your first three months for £3.

Already a subscriber? Log in