Those days are gone in which romantic novels had heroines called Muriel. Even on first publication 84 years ago, The Crowded Street was not a conventional romantic novel nor Muriel Hammond a conventional heroine — but the former embraces elements of romance, the latter aspects of heroism. The subversion of our expectations of heroism and romance provides the dynamic of Winifred Holtby’s second novel, originally published in 1924.
The Crowded Street is a family saga, comedy of manners and roman à clef. It tells the story of Muriel Hammond, from schoolgirl to maturity. The Hammonds inhabit the determinedly genteel Yorkshire village of Marshington, its confines narrow, its mindset small. Muriel leaves school to embark on Marshington life armed only with a determination ‘so much to be good’ and a naive certainty that excitement beckons. Her disillusionment is slow but inexorable. Marshington values a single quality in women: marriageability. It is a quality Muriel lacks.
Written when Winifred Holtby was 26, The Crowded Street is strongly autobiographical.
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in