Michael Tanner

Northern lights

It’s been too long since I saw The Merry Widow. I have been thinking that for some time, and the superb new production of it by Opera North only made me feel that we should be able to go to more performances of it than we get a chance to. It has been newly and wittily translated by Kit Hesketh-Harvey, and the production is in the safe hands of Giles Havergal, with set and costume designs by Leslie Travers.

issue 30 October 2010

It’s been too long since I saw The Merry Widow. I have been thinking that for some time, and the superb new production of it by Opera North only made me feel that we should be able to go to more performances of it than we get a chance to. It has been newly and wittily translated by Kit Hesketh-Harvey, and the production is in the safe hands of Giles Havergal, with set and costume designs by Leslie Travers.

It’s been too long since I saw The Merry Widow. I have been thinking that for some time, and the superb new production of it by Opera North only made me feel that we should be able to go to more performances of it than we get a chance to. It has been newly and wittily translated by Kit Hesketh-Harvey, and the production is in the safe hands of Giles Havergal, with set and costume designs by Leslie Travers.

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