Lloyd Evans Lloyd Evans

No laughing matter

The Nobel prize is nothing. The real badge of literary greatness is the addition of the ‘esque’ suffix to one’s name and, if you’re truly outstanding, the word ‘nightmare’, too. Franz Kafka manages this distinguished double, although some readers find the connotations of horror arise not so much from his totalitarian dystopias as from his prose. But it’s best to approach Kafka with an open mind.

Already a subscriber? Log in

Keep reading for free

Subscribe today to get 3 months’ free digital access.

  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828
  • Plus, three months’ free digital access to the Telegraph

Comments

Join the debate for free — this month only

This month, be part of the conversation with other Spectator readers by getting your first three months for free. We’ll also give you three months’ free digital access to the Telegraph.

Already a subscriber? Log in