On 18 September, the Scots will decide whether they want to become independent. But it is only a coincidence that Scotland’s most celebrated violinist is launching an album that brings together Scottish folk music, the tunes of Robert Burns and Max Bruch’s Scottish Fantasy. Nonetheless, I want to know where Nicola Benedetti stands on the most fundamental question the Scots have asked of themselves since the Act of Union in 1707.
I’m sitting opposite her in the west London flat she shares with her German cellist boyfriend Leonard Elschenbroich. The late morning light from the window is catching her rich brown hair and turning it blonde. Is she, I ask, excited about the Referendum? ‘No. Terrified. I’m terrified either way. It’s a big moment and it’s a scary moment.’ There are, she feels, too many unknowns. ‘The more I think about it, the more my opinion is that people have to go on a fundamental principle, because the practicalities are impossible to predict.’
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