Rory Sutherland Rory Sutherland

Netwór Krail has outdone himself yet again

issue 26 May 2018

In the shadow of the Shard, not far from Borough Market, is a £1 billion public artwork, an allegorical sculpture entitled ‘What is wrong with the world today’ by the reclusive wunderkind Netwór Krail. It was officially unveiled by the Duke of Cambridge earlier this month.

The reason you may not have read about this monumental piece is that most of the press coverage failed to notice this structure was a landmark in experiential art. They mostly used its banal official name: the new London Bridge station.

Next time you visit this ‘station’, I urge you to appreciate this installation for what it really is — a brilliant, scathing commentary on the modern age. It artfully combines spectacular engineering and technological achievement with an overweening disregard for the everyday comforts of those who use it. Were Brian Sewell alive, it would have awakened him to the greatness of conceptual art.

Like all great artists, Krail relishes contradictions.

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