Net effect | 23 November 2017

The inexplicable popularity of Ivo Van Hove continues. The director’s latest visit to the fairies involves an updated version of Network, a creaky and over-rated news satire from 1976. Van Hove appears to be unconstrained by thrift or self-discipline and he fills the Lyttelton stage with expensive clobber. It’s like a hangar full of half-tested prototypes. Centre, a TV studio featuring three cameras and an anchor man’s desk the size of a lifeboat. Behind it, a controller’s gallery with lots of TV monitors shielded by wobbly glass. Stage-rear, a vast flat-screen telly that relays the action as it happens but with an irritating quarter-second delay. To the right, a kitchen occupied by chefs who cook food for uniformed waiters to serve to 25 diners loafing at tables, scoffing their nosh and watching the action. Are they part of the show or just bored punters? It was never made clear. There’s no room for subtlety, intimacy or poignancy in this busy playpen.