Rod Liddle Rod Liddle

My verdict on Eurovision

UK Entry Mae Muller at the Eurovision Song Contest 2023 (Getty Images)  
issue 20 May 2023

I had the sudden suspicion, at about ten o’clock on Saturday night, that I was the only straight male in the United Kingdom watching the Eurovision Song Contest. Or perhaps the only one watching it voluntarily. A little later a Dutch presenter, when reporting her country’s scores, said: ‘Hello girls and gays.’ It wasn’t a slip of the tongue but an accurate summation of the audience – the one in Liverpool and the rest of us, sitting in front of our televisions.

There was a merciful absence of all faux-seriousness and any song which got political didn’t do well

Eurovision, like Crufts, has been a gay domain for the best part of a quarter of a century, of course, but it is so gay now that it doesn’t even need to advertise its credentials with rainbow flags. Gays and women were in the audience, gays and women were watching at home. Both of these sections of society have a certain thing about hedonism and this was the most gleefully hedonistic contest in years.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in