Matthew Parris Matthew Parris

My messiah complex

Jim Carrey in The Truman Show (Paramount/Alamy) 
issue 08 April 2023

In June 1999, I described on this page jameitos, tiny, blind, albino crabs on the sea bottom in a cave in Lanzarote, occasionally caught in a shaft of sunlight they couldn’t see. ‘Might there be searchlights moving across the surface of our world, too,’ I wrote, ‘catching [us] within their purview, and we the objects of this silent inspection, all unknowing?’

It was a long overnight flight from South America last month. Though comfortable, I couldn’t sleep, so I accessed the in-flight entertainment menu, selected ‘Comedy’ and decided to try The Truman Show, a 1998 American movie, not really a comedy, with (I later learnt) something of a cult following.

I was captivated and disturbed by a film with uncanny resonances with what has followed me all my life

In a darkened cabin, sleeping passengers all around, in my tiny pool of light and headphone-generated surround-sound with no external stimuli to distract, I watched this film in the perfect circumstance for a strangely gripping, part-sci-fi, part-satirical, part-psycho-drama and (to me) almost religious experience.

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