My lunch with Salman Rushdie

I have just come back from spending some days with David Hockney at his house in Normandy. We are making a film about him – the longest film about a single subject I have ever attempted. Like Monet’s, Hockney’s environment is his subject. The great sequence of ‘The Four Seasons’ is from his grounds. He finds all the different blossoms he needs there, and there is a river and a pond. His friend has turned an old barn into a magnificent studio. David is in his mid-eighties but is as sharp as he was the first time I interviewed him for The South Bank Show in 1978. Since then, there have been several films, on his exploration of photography and the camera (and the distinction between those two), on Chinese scrolls, on the countryside near Bridlington and now there is another move forward with his remarkable new exhibition Bigger & Closer (not smaller & further away) at Lightroom Kings Cross.