Ian Thomson

My fight to stop the Chinese censors sanitising Dante

[iStock] 
issue 13 March 2021

My book on Dante Alighieri was due to come out in Chinese translation later this year, but first I had to consent to sizeable cuts. Even by the standards of other authoritarian states the Beijing censors struck me as overzealous. It seems odd that the medieval Italian poet could cause such unease among modern-day totalitarians. A sanitised Chinese communist version of my book did not sit well with the 700th anniversary of Dante’s death in 1321, and in the end I withheld permission.

The cuts were the work of Beijing’s blandly named Institute for World Religions. The institute undertakes ‘book cleansing’ operations on behalf of the state. No book can be published legally in China today without being vetted. In their solemn appraisal the censors insisted that all references to Islam be removed. Why?

‘That’s disappointing — I was expecting an increase of 1 per cent.’

Dante inflicts a punishment so grotesque on the Prophet Muhammad in Canto 28 of the Inferno that Muslims might well protest.

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