I have never been more chilled, thrilled, shocked and excited — and from a literary point of view, nothing has made me feel more inadequate as a writer — than when reading the opening to Great Expectations, which is one of the finest passages I’ve ever come across. Screen adaptations can’t quite capture the atmosphere because the writing frees the imagination; it’s terribly difficult to do, and you often lose the beauty of the words. That is the passage for me.
Saul David is a military historian of Victorian Britain
The entrance of Magwitch
Ours was the marsh country, down by the river, within, as the river wound, twenty miles of the sea. My first most vivid and broad impression of the identity of things, seems to me to have been gained on a memorable raw afternoon towards evening.

Britain’s best politics newsletters
You get two free articles each week when you sign up to The Spectator’s emails.
Already a subscriber? Log in
Comments
Join the debate for just £1 a month
Be part of the conversation with other Spectator readers by getting your first three months for £3.
UNLOCK ACCESS Just £1 a monthAlready a subscriber? Log in